Lorenzo lotto saint jerôme pénitent
The bearded Hieronymite friar looks up from a jeu de la roulette casino zurich book of homilies by Gregory the Great, and seems about to strike his breast with his clenched fist in a pose evoking St Jerome, the patron of his order.
Andrea Odoni was a wealthy Milanese merchant and renowned collector of antiques.
Recorded in Archduke Leopold Wilhelms collection as a work of Correggio.Acquired around 1823 by the merchant and collector Edward Solly, whose daughter Sarah Solly bequeathed it to the National Gallery in 1879.Two angels, interceding for the poor below, whisper into the ears of the enthroned Antoninus (a newly-canonised fifteenth-century Dominican Archbishop of Florence).Lotto estimated the price at 15 scudi, but he was paid only 12 lire (around 2 scudi ). .It hung in the second chapel on the right of the nave, where it was seen by Vasari, who said that it was painted before Lotto moved to Loreto.The miracle is witnessed by members of the Suardi family men on the left and women on the right.
It is very possibly one of eight drawings of heads, coloured in oil, on paper from nature noted in Lottos account book in an entry dated The eight portraits were among paintings given by Lotto to a Ottavio da Macerata in settlement of a debt.
The choir of angels may allude to his surname and the tall column on the left to his coat-of-arms.
Wood, 175 x 162.
The gold ring on Rossi's right index finger is engraved with his heraldic seal (a lion rampant).
The picture was commissioned on by Simone di Giovannino Pizoni, a nobleman of Ancona, for his side altar in the church of SantAgostino.
Lotto appears to have altered the picture himself, repainting the background with a red velvet curtain.
It has been identified with a painting mentioned in Lottos Libro di Spese : an entry for January 1542 refers to the Madonna and the three angels, which Messere Mario desired to see finished by the time Lucretia went into a nunnery, and entries later.The picture, described by Ridolfi as much praised, remains in situ above the high altar.Canvas, 47.(It has been suggested that the Virgin is a likeness of the ex-Queen of Cyprus, but her features do not seem very distinctively different from those of other Madonnas in early paintings by Lotto.) According to Berenson, the features of St Louis are those.The Saint Roch was 'published' only in 2007 (by Peter Humfrey in Artibus et Historiae ).Signed and dated on the coffin under the Childs feet.Behind him are a nun (perhaps St Sperandia or St Clare) and St Peter Martyr (with a knife in his head).(Doubt was recently expressed by Peter Humfrey in a review (August 2018 Burlington Magazine ) of an exhibition of Lotto's portraits held at the Prado.) Acquired by the Baltimore railroad tycoon Henry Walters in 1902 with the enormous collection amassed in Rome by the Papal.In the background, she saves a flock of sheep from a wild boar and (over the doorway) averts a storm threatening the harvest.
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